29-03-13, 01:26 AM
7:40 Minutes of Emily Ratajkowski from the video:
http://www.dumpert.nl/mediabase/6535100/...tijd_.html
http://www.dumpert.nl/mediabase/6535100/...tijd_.html
New improved You Tube thread.
29-03-13, 10:55 AM
(28-03-13, 03:47 PM)ez-1 Wrote:
That brunette has THE BEST set of tits. I do like all of them though but for me she's me pick.
This was almost exactly what I was going to say.
The brunette has possibly the finest pair of puppies I have ever seen, ever!
29-03-13, 02:54 PM
Imagine how great she'd look if she just gained 7 pounds.
01-04-13, 10:07 PM
01-04-13, 10:28 PM
Can't fool me, Ben. I saw it, live. I couldn't close your YouTube page fast enough. 
02-04-13, 12:57 PM
We were rooting for the other team (Duke), which is the college that my wife went to. I knew that it was over for them once this happened. It's almost impossible to defend against the, "Win this one for me, fellas, because I just suffered this grotesque, career ending, injury" offense.
02-04-13, 04:43 PM
i'm with you Tif... Duke had no chance at that point. maybe, if it happened in the 2nd half.
14-04-13, 06:48 AM
Looking forward to this...
Except for a snippet of "an Australian rock record" that opens the final track, "Contact," Daft Punk foreswore samples entirely, and they limited the role of drum machines to just two of the album’s thirteen tracks. The only electronics come in the form of a massive, custom-built modular synthesizer that Daft Punk played live on the album, they told me, and an arsenal of vintage vocoders on which they manually manipulated factors like pitch, vibrato and legato. "There’s this thing today where the recorded human voice is processed to try to feel robotic," Thomas says, referring to the undying AutoTune vogue. "Here, we were trying to make robotic voices sound the most human they’ve ever sounded, in terms of expressivity and emotion."
Except for a snippet of "an Australian rock record" that opens the final track, "Contact," Daft Punk foreswore samples entirely, and they limited the role of drum machines to just two of the album’s thirteen tracks. The only electronics come in the form of a massive, custom-built modular synthesizer that Daft Punk played live on the album, they told me, and an arsenal of vintage vocoders on which they manually manipulated factors like pitch, vibrato and legato. "There’s this thing today where the recorded human voice is processed to try to feel robotic," Thomas says, referring to the undying AutoTune vogue. "Here, we were trying to make robotic voices sound the most human they’ve ever sounded, in terms of expressivity and emotion."
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